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Panels

by Élie Raymond

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1.
I know what I like But I don’t know what I want Keeps my home thickly light Makes it easy to haunt Tintin panels and horror shows If we make it to Halloween We’ll be good for the Christmas cold Tintin panels and horror screams I know what I want I want eternal life I want to run every day I want eternal life I want you close to me I want eternal life I guess I know what I want I want eternal life Tintin panels and horror shows If we make it to Halloween We’ll be good for the Christmas cold Tintin panels and horror screams I know what I want Eternal life I know what I want Eternal life I know what I want Eternal life … (Things I’d like)
2.
Ambition 02:53
The empty lines of this notebook The dry smell of dust The cracks of the street that winter shook You’ll be fine my dear Now now, hush As the rust eats the sides of my car I am empty, afraid and jealous Spring slowly unfolds its arms I sink in, alone Warm, denying trust Turn away Leave slowly Then come back to tell me how I lack ambition I’ll sit still Tired and bored Then tell you how you’re using that word wrong So much of me wants so much of you But your arms seem closed now And soon we’ll be too hot to talk about anything else than the weather That’s how it’s done down here Baby don’t you know that by now Turn away Leave slowly Then come back to tell me how I lack ambition I’ll sit still Tired and bored Then tell you how you’re using that word wrong I’ll keep falling apart in your arms And you’ll hate me for that I’ll keep singing too loud, always too loud And you’ll hate me for that
3.
To get through winter in your arms The darkness and the cold won’t matter much To get through summer in your car Hot wet air corrupts our sight Ah ah aah Let’s say what we want Ah ah aah Let’s say what we want To reach a place safe from harm No apologies needed from frightened stars Let’s get blinded by how they shine Let’s still watch them with awe and lust Ah ah aah Let’s say what we want Ah ah aah Let’s say what we want Let’s take the long way home Let’s talk about the songs we like Let’s hold hands for a while Let’s pretend we’re alone But we’re awake now The dream is over There’s too much noise Useless movement Meaningless fighting Ah ah aah Let’s say what we want Ah ah aah Let’s say what we want
4.
I’ve been sitting in your car for a while now As you try to find new ways to feel To light the darkness To lower the amount of chemicals in your body I’ve been sitting in your car for a while Tiring my eyes, staring at my phone I’ll drink to ease my headache tonight Then hide in your hair as we devote ourselves to horror shows I’ve been sitting in your car, waiting Thinking I should get a notebook To write without my eyes hurting And because words have more meaning on real paper I’ve been sitting in your car, wanting To believe in a higher being To worship, to look up and know something’s there Then I could sing about something greater than myself
5.
Honey 05:46
You’re not helping me You’re closed, you’re silent A dead end, a clean cut The streets of Montreal And your ever-changing eyes Seem so wide from here Can you see more than I? Can you see brighter light? Auburn honey Hold me You filled the page With word I did not expect Centerfold Deepest point And your ever-changing eyes Seem so wide from here Can you see more than I? Can you see concrete light? Auburn honey Hold me Lead me away Inside the walls of a white apartment Lead me away With all my attempts at eternal life Lead me away With information on mental health Lead me away Inside the walls of a white apartment Auburn honey Hold me
6.
The human flesh doesn’t excite me no more This allows me to move without trying to impress This allows me to enjoy boredom and loneliness I guess I’ll die alone on the asphalt That’s ok, I’d rather die going somewhere Than lose my breath waiting for your lust and your prayers It’ll be ok I believe Now I want you to hold me In a crooked house Hold me In a crooked house I fell in love with someone I forgot With alcohol in my blood and time on my side Forgot what I said but it was probably all bad puns and lies And all I can remember Necromancers And all I can remember Troublemakers Me swearing at the phone ‘cause you never ever answer My hands clutching the wheel, racing the speed of my heart It’ll be ok I have to believe Now I want you to hold me In a crooked house Hold me In a crooked house Hold me
7.
Pressure 03:10
Our home has become a vast and empty room I am alone, small and far from the me living in your heart Men are hungry, surrounding you, they want it all I stay awake with other people’s music in other people’s cars I don’t want to be the man of your life It’s too much pressure I’m just the man haunting the living room Crying on the floor, holding the dog Until I’m too tired to stand Nothing more, nothing less And now I’m back with my first love Its deadly embrace Speeding back to Gabriel’s heart Speeding back to Gabriel’s heart And when I die in your arms Let everyone say That I was indeed The man of your life The man of your life
8.
Promise 04:41
The moon and the clouds sensuously dancing Perseids rain over me Summer, where I realised I loved you too much Nostalgia reigns over me I am small Enjoying my pettiness And it’s ok, yeah everything’s ok I am cold, I am alone Is this ok? Is everything ok? I promise you We will sing together I promise you We will dance together The noise of the water The night sky’s light The weight of the moon My mother’s power I’m here Awake And I miss you All I can do is miss you I promise you We will sing together I promise you We will dance together I promise you We will sing together I promise you We will dance together
9.
I was assembling the summer table I was hot, I was cold And back in town You were disappointed in me ‘Cause of volatile dust ‘Cause of the wrong ways I think I’m better Better than other men I’ll show my teeth I’ll show my muscles I’ll show I care But not too much I never care too much I was driving home Leaving Montreal behind I was pissed, being childish And back in town You were disappointed in me Well people, they drive too slow Well people, they drive too fast I’m much better obviously I’ll show my teeth I’ll throw my fits I’ll show how manly I am It’s always enough It’s always worth it I was feeling the wind in my hair I will die here Peaceful, at rest Death in the city is not for me It’s loud, it’s busy It’s fast, it’s lonely I will become wind I will become birdsong I will show off all I am Beautiful, delicate destroyer
10.
My skin is a landscape Falling apart, driven by desire Your skin is far away Bright, soft, the seed of my lust The home I thought I held Mouldering, decaying slowly Fire roaring in the far reaches of my bed A deep and quiet river flows there And I sing for you My voice lost in the current, I stare At you in the distance, open and full You want to rest Without my endless thirst I just want to feel that you want me You want to rest Without my endless thirst Far away A deep and quiet river flows there And I sing for you My voice lost in the current, I stare At you in the distance, open and full

credits

released November 6, 2020

Co-produced and mixed with Emmanuel C. Boucher, fall 2019 and winter 2020
Recorded in Saint-Donat, Québec, in a week in the summer of 2019
All instruments played by Élie Raymond except for a couple tracks made way better by these friends:

Émie Leclerc: cello, violin, viola, vocals
Marc-Antoine Barbier: saxophone
Lazer Vallières: Drums on Ambition and Sitting in Your Car
Emmanuel C. Boucher: Kawai Synthesizer 100F, piano on Ambition
Charles Primeau: Guitar on Let's Say What We Want, pedal steel guitar & E-bow on Sitting in Your Car
Thomas Bruneau Faubert: OP-1 on Sitting in Your Car
Tony L. Roy: Made the bass tracks I had recorded sound a lot better
Félix Bélisle: produced Honey's outro

Artwork by David Raymond
Drawings (in the vinyl) by Jocelyne Bonin

Mastered by David Laurendeau

Bonbonbon, Tommy, Alex. Merci.

Merci les amis.

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Élie Raymond Montreal, Québec

Without asking himself too many questions, Élie Raymond, Foreign Diplomats’ lead singer, also a member of Totalement Sublime, recorded his first solo album. The songs show a poignant songwriting that can be related to Bon Iver’s latest album’s approach or The Microphones’ lo-fi sound. We can find a pop artist with great sensibility and an undeniable talent for texture and original arrangements. ... more

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